Analysis of some of Victor Hugo's Worrks

Analysis Notre-Dame de genus Paris: The significant theme of fate in Notre-Dame de Paris is strongly ennumerated in several ways: the world(a) decorate back towards fatalism in plot and character (especially Frollo) and the motif of the aerify in the spider web, strongly smelling of fate, but more thanso interpereted as the fly caught on a journey towards a light, or freedom. This video so skillfully displays in the truest Hugoesque title this special(a) struggle of reality, desperately battling against the three strongest problems(as I think he discussed in the introduction to Les Travaillers de la Mer[The Toilers of the Sea]) which are superstition (namely of the church), misery placed upon cosmos by society, and the helplessness of man before nature. A nonher significant motif is that of stone and conf employ pavement. Quasimodo is oftentimes compared to his stone gargoyle companions and architectural terms are used in his descriptions (spiral legs, and a dome on his back, also more relating him to the cathedral), and Frollo is shown as an animated statue. Upturned pavement and stone in general was a powerful symbol in Hugos headspring for the attend to of change, and that grand efficy that change leaves behind. Hugo could not escape the mentation of revolt, because the thieves storming Notre-Dame.

And this brings us to a phenomenally important idea not only in Notre-Dame de Paris but all of Hugos works, ditch the more obscure ones; that is to say, the process, need, and result of change. Hugo felt a big affinity for the marine, and, itself being a grand redeemer of change, would by chance illustrate my poin! t most clearly. From its depths, life springs frontwards; the ocean is mother to life on Earth, but contrastly its reflux and flow, its cannonball along torrents and massive waves, its great salt dust has an incredible destructive... If you insufficiency to get a full essay, range it on our website: OrderCustomPaper.com

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