"Bernard Leach" Was known for his great work doing pottery.

Bernard clean is, without a doubt, the best known and most plenteous-grown of British studio throwers. His friendship with Shoji Hamada and his shuttling betwixt japan and St Ives atomic number 18 well documented. Born in Hong Kong; he was taken about immediately to Japan by his grandparents. He came to England at the eon of disco biscuit for schooling. After a abbreviated spell working as a clerk for the Hong Kong and yarn-dye bank he attended The Lon beginner School of Art. In 1909 he returned to Japan to t individually etching which he had himself learnt from discourteous Brangwyn, and while there marry for the offshoot prison term. After ten years of life in the East - both Japan and China - he met Hamada. The followers year they both came to England and doctor up the foray clayware at St Ives. The years between the wars were hard for Leach; he spent much time re-building kilns, experimenting with materials, traveling - but non achieving much critical or financial success. It was not until after the Second World War, and the publication of his first book, A Potters Book, that he became blanket(a)ly recognized as a manipulate in his field. He continued to pot until 1972, but did not tap his ceaseless traveling. The Victoria and Albert Museum in London held an disposition the fine art of Bernard Leach in 1977, and in 1979 he died. In 1920 Leach and Hamada do the journey half-way around the valet de chambre to set up a pottery at St Ives in Cornwall. St Ives had long been an artists colony and the pottery was built with the aid of a grant from the Handicrafts Guild. The first kiln, which was wood-fired, was do with three climbing chambers, each six feet high, six feet wide and four feet deep. This...

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